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Beaten to a pulp, and the fiber is better for it.

 

Beaten to a pulp, and the fiber is better for it.

EverythingWestport.com

Tuesday, March 15, 2011

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rsz_33.jpgBeaten to a pulp, and the fiber is better for it. Commercial paper mills and Wayne Fuerst both make paper using the same basic manufacturing process; they use ground-up and blended natural fiber turned into pulp. One makes considerably more than the other.

 

But there the similarity ends.

 

The Westport Art Group recently sponsored a paper-making demonstration with Wayne Fuerst of Sticks, Stones & Stars to a full house at the WAG's center on 782 Main Road. Wayne Fuerst trained in handmade paper techniques at Rugg Road Paper.

 

"My papers use a mixture of custom-blended fibers for strength and texture," said the likable artisan who is also a master potter and painter. "With paper it's all about the fibers and how they interlock with each other."

 

Paper mills use mostly forested wood pulp to make their products.  Fuerst uses just about everything else, including exotic  woods and blue jeans (used for the cotton fiber).

 

t28.jpgClick here to view video 1 of Wayne Fuerst making paper at the Westport Art Group's demonstration.

 

Click here to view video 2.

 

"My papers are made from cotton and abaca (banana plant) fibers. The fibers are processed in a beater to a homogenous consistency we call pulp," Fuerst said. "Abaca is added to the cotton fiber to make the paper stronger."

 

Fuerst creates and sells his beautiful pieces of hand-made paper at his artisan gallery, Sticks, Stones and Stars at 782 Main Road, Westport.

 

What separates Fuerst from most artists is his ability to convey to the average layman and artisan alike the nature of his craft and his own abilities to produce it. He's a natural-born presenter; not too hurried and perfectly comfortable talking with people. Fuerst is an instructor extraordinaire.

 

Wayne Fuerst is a Ceramics/Pottery teacher at Harvard University, and at MudFlat Studio in Somerville.

 

He orchestrated a show and tell from a portfolio of hand-crafted papers he has created over the years working for himself and others. He sprinkled anecdotes throughout the two-hour talk by explaining the different techniques used in crafting European and Asian papers.

 

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With several of his hand-made papers framing him as a backdrop, Fuerst took his audience through the techniques of paper making; from beating the raw stock fibers into a thick soupy mass, to peeling the still-wet paper from its screened frame and placing it on a wool drying sheet and also, to the amusement of his listeners, onto the WAG's glass windows.

 

Using only equipment, mostly simple blenders, beaters, and plastic containers and tubs from his home studio, Fuerst walked attendees through the process of making a sheet of paper, explaining every step and potential problem areas to avoid.

 

"If the sheet is bad, simply throw it back into the mix," he said.

 

Flower petals, cattail fiber, glitter, fabric, threads and pigment can be added to the pulp. The mixture is then suspended in water and a screen is pulled through the mixture to lift a sheet of paper. The paper is then pressed and transferred to dry. The fibers have now been transformed into a lustrous sheet of fine, handmade paper.

 

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But what separates student from artist is the creative gift of manipulating the process.

 

"My real love of paper making is painting with the fiber," Fuerst told the listeners.

 

His papers range from the greeting card size to large 32 x 38 pieces of artwork made with different colors of paper pulp. They are usually made from cotton and abaca (banana plant) fibers. The fibers are processed in a beater to a homogenous consistency called pulp.

 

Feurst's papers are used for greeting cards, personalized invitations, customized wedding invitations, stationery and gifts.

 

Fuerst is a master potter, paper maker, and painter living in Westport. He studied at the University of Green Bay and at the University of Southern Maine and apprenticed with potter Tom Krueger. He has also taught at the Worcester Craft Center, the Boston Center for Adult Education, the Fuller Craft Museum and ArtWorks!.

 

"The many disciplines of the artisan community here today are further enlightened by Wayne Fuerst's presentation. Not many of us have experimented in making paper. This was a true education," said one attendee.

 

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The Westport Art Group is a non-profit organization that supports education in the arts with classes, art exhibits and scholarships to high school seniors. The mission of the Westport Art Group is to stimulate and promote the appreciation and encouragement of the arts and crafts. Call or click (508) 636-2114 or visit www.westportartgroup.com  for more information.

 

 

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