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Monday, March 16, 2015

photos/EverythingWestport.com except as noted

 

Quick Article Index . . .

 

Civil War 3D Photographs and Poetry" at Sandywoods Center for the Arts.

 

Southcoast VNA to offer bereavement workshop for children.

 

WRWA announces staff position, Community Engagement Manager.

 

 

Civil War 3D Photographs and Poetry" at Sandywoods Center for the Arts.

EverythingWestport.com

Monday, March 16, 2015

 

Visitors to yesterday’s presentation of "Civil War 3D Photographs and Poetry" at Sandywoods Center for the Arts presented by John Wojtowicz and Laurie Robertson-Lorant were treated to an unusual viewing of Civil War photographs… in 3D!

 

There were over 10,000 documentary photographs taken during the Civil War; more than 70% of those photographs were stereographs, the 1800s equivalent of 3D pictures.

 

Civil War photographer, Mathew Brady pioneered the use during the Civil War of stereograms (3D pictures) taken with a special stereoscopic camera, which had two lenses.

 

Insert: John Wojtowicz, adjunct professor at Massasoit Community College and a member of the Photographic Historical Society of New England operated the stereoscopic projector and recited poems keyed to individual stereograms.

 

One of the most celebrated war photographers and often referred to as the father of photojournalism, Mathew Brady will be always remembered in the journalism arena for documenting the American Civil War on a grand scale.

 

In 1862, he was admired for presenting some heart-wrenching photographs of the “Battle of Antietam” in an exhibition. However, it is a matter of fact that this legendary photographer went bankrupt during his last days and died penniless in the charity ward of a hospital in New York.

 

Hi photographs ended up in the hands of a debtor, with another set in the hands of the American government that eventually paid Brady $25,000 for the copyright.

 

When the Civil War began, Brady was determined to take its picture. He and his staff hauled their bulky cameras and equipment from camp to camp and from battlefield to battlefield.

 

“Using inexpensive Anaglyph 3D glasses will allow you to view the stereoscopic images in this article and those included in the photo album.”

 

Unbelievably, Civil War photographers also carried their darkrooms with them!

 

10,000 Brady photographic plates brought to the untouched cities of the North the realities of war, the wounded in the hospital tents and the torn and bloated bodies in the field. They constitute a major source for study today.

 

During the presentation the haunting words of poets Melville, Whitman, Harper, Gibbons and others disturbingly amplified the harrowing images of the death and destruction in America’s “great rebellion.”

 

Civil War photographers like Mathew Brady, Alexander Gardner and Timothy O'Sullivan found enthusiastic audiences for their images as America's interests were piqued by the shockingly realistic medium. For the first time in history, citizens on the home front could view the actual carnage of faraway battlefields.

 

Civil War photographs stripped away much of the Victorian-era romance around warfare.

 

 

Above right: Laurie Robertson-Lorant. She and John read Civil War poetry that complemented the photographs, including poems by Herman Melville, Walt Whitman, Frances Ellen Watkins Harper, Charlotte L. Forten Grimké, Llyod Mifflin, Paul Lawrence Dunbar, and James Sloan Gibbons whose writings reveal diverse experiences of the war.

 

 

 

Above: stereoscopic images seen on the projector screen that when viewed through Anaglyph 3D glasses appears three-dimensional.

 

  

Above: normal two-dimensional photos of the photos above them. The photo on the left is of President Lincoln meeting on the battlefield with General George B. McClellan shortly before McClellan is removed as General-in-Chief. The photo on the right is a picture of the mortar “Dictator,” the largest ever built, able to launch a 200 pound ball over 2 miles!

 

 

Above: the four co-conspirators convicted of President Lincoln’s assassination are hanged. Photo/Smithsonian Historical Archives

 

Above: Civil War trench warfare was a forerunner to that so disastrously employed in World War I.

 

 

Above: stereoscopic (left) and normal photographic images of General William Tecumseh Sherman on horseback during his march to the sea.

 

First stanza of The March to the Sea by Herman Melville.

Not Kenesaw high-arching,
  Nor Allatoona's glen--
Though there the graves lie parching--
  Stayed Sherman's miles of men;
From charred Atlanta marching
  They launched the sword again.
        The columns streamed like rivers
          Which in their course agree,
        And they streamed until their flashing
          Met the flashing of the sea:
            It was glorious glad marching,
            That marching to the sea.

 

References: http://sgarwood.com/ Early Photography

 

 

 

Southcoast VNA to offer bereavement workshop for children.

EverythingWestport.com

Sunday, March 25, 2015

 

NEW BEDFORD, Mass. — Southcoast® Visiting Nurse Association, known in the community as Southcoast VNA, is offering a free, five-week bereavement workshop for children between the ages of 6 and 13 grieving the death of a loved one.

 

Stories, crafts, and group activities will be used to encourage sharing and meaning-making. Group discussions will also be held to help children learn about grief, sharing memories, coping, and helping themselves and others.

 

The workshop will be held on five consecutive Mondays beginning March 23rd from 3:00 to 4:30 p.m. at the New Bedford Public Library, Main Library Meeting Room, 3rd Floor, 613 Pleasant Street in New Bedford.

 

Registration is required. Please contact Bereavement Manager, Lindsay Coe, LCSW, at 508.973.3227 for more information and to register.

 

 

 

WRWA announces staff position, Community Engagement Manager.

EverythingWestport.com

Saturday, March 21, 2015

 

The Westport River Watershed Alliance (WRWA) is happy to announce that Steve Connors will join their staff as Community Engagement Manager.  Connors will assume his new position on Monday, April 1st.

 

Said WRWA president Tom Schmitt: “We’re delighted to bring Steve on board. He brings a deep knowledge of the community, a commitment to preserving the environment and a wonderful track record of working with volunteers and staff.”

 

WRWA staff photo, from left to right:  Deborah Weaver, E.D.; Gay Gillespie, Development Director; Steve Connors, Community Engagement Manager; Shelli Costa, Education Director; Betsy White, Advocacy Director; and Roberta Carvalho, Science Director.  Missing from photo - Dachelle London, Office Administrator.

 

“This is a great day for the entire WRWA family,” said WRWA executive director Deborah Weaver.  “Steve is perfectly suited to help WRWA reinvigorate community activities such as walks, lectures, rambling river rides and music by the water. He will be working on volunteer recruitment and training, grant research, and all community wide events.  We are excited to offer many more free public activities and Steve will be a friendly face at all of them! We couldn’t be more pleased to bring him into our organization”.

 

The Westport River Watershed Alliance is a nonprofit environmental education and advocacy group formed in 1976 to protect and improve the natural resources of the Westport River watershed.  You can learn more visit the Westport River Watershed Alliance website: www.westportwatershed.org or call the office: 508.636.3016.

 

WRWA’s mission is to restore, protect, celebrate, and sustain the natural resources of the Westport River and its watershed which encompasses six towns: Dartmouth, Fall River, Freetown, and Westport in Massachusetts, and Little Compton and Tiverton in Rhode Island.

 

 

 

 

 

 

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